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I got a whole album full of the coming up next called The Return. "Conceptually, if you listen to Paperwork all the way down, sonically it’s cohesive. had stated: "I kind of divided them into concepts,” referring to the over 200 songs he recorded during the Paperwork sessions. the former is going to be reminiscent of his second album Trap Muzik (2003), while the latter is going to be "like a gangster version of 808s & Heartbreak". said the next album, or rather, "second act" is The Return, and following that, the "third act" is called Love & Liability. During an interview with Life+Times, T.I. revealed that Paperwork is part of a trilogy and would be followed up with The Return and Love & Liability. Upon signing a recording contract with Columbia Records and releasing his ninth album Paperwork in October 2014, T.I. The album was supported by three singles "Jefe", "Wraith" and "The Weekend". The production was handled by high-profile record producers such as Swizz Beatz, Scott Storch, Bangladesh, Cardiak and David Banner, among others. Dime Trap also contains narration from American comedian Dave Chappelle. Paak, Victoria Monét, Watch the Duck, Sam Hook and London Jae. The album features guest appearances from Yo Gotti, Teyana Taylor, Jeezy, Meek Mill, Young Thug, YFN Lucci, Anderson. worked on several other projects as well, including Da' Nic (2015), Bankroll Mafia (2016), Us or Else: Letter to the System (2016) and We Want Smoke (2017). It serves as the second installment in a trilogy that was preceded by his ninth album Paperwork, and was later followed by his eleventh The L.I.B.R.A. The album was initially announced in 2014 and underwent several working titles, namely The Return and Trap's Open. It was released on October 5, 2018, by Grand Hustle Records and Epic Records. So, if you think you’re ready for the Rubber Band Man, then ditch the backpack, turn off NPR, lace up your Jordans, put on your stunna shades, pop in Trap Muzik, and crank your stereo all the way up, ‘cause this album traps, stunts, and thumps.Dime Trap is the tenth studio album by American rapper T.I. should only deviate from his typical instrumental style when he is trap rapping over the brooding funk beat of “King Of Da South” or maybe when he’s making a decent push for change in the ghetto over a thick, reverberating summer beat on “Be Better Than Me.” The soulful “Doin’ My Job” isn’t necessarily T.I.’s forte, and neither are the bad R&B-tinged songs (“Let’s Get Away,” “I Still Luv You,” “Let Me Tell You Something”) which are directed towards the lady listeners. My only real complaint would have to be that the album suffers from moderate filler. Needless to say, this album does have its flaws. The angry, powerful violins and thundering kicks of “24’s” make for one dope track, and the rise-and-fall Casio keyboarding of “Rubber Band Man” is straight up catchy and calls for some serious head bobbing. is aware of the album’s materialistic principles, and confirms it on the chorus of “24’s” by saying “ Money, hoes, cars and clothes/That’s all all my niggas know/Blowin’ dro/Twenny-fo’s/That’s how all my niggas roll.”Īnd although his dopeboy lyrics may not be exceptionally clever, they’re delivered with a Napoleon-like aggression and an astronomically swaggering voice and backed by banging instrumentals. Rubber Band Man traditionally resolves to narrating first-person drug lore, confessing to illicit substance addiction, recanting stories of violent crime (both committed and witnessed), and exhibiting egotistical, materialistic bravado stemming from his illustrious monetary, possessive, and sexual exploits. He gets no more emotional than any of the handful of stupid, quasi-R&B, for-the-ladies songs that appear on the album do, and doesn’t really get any more socially conscious than when he states (with little-to-no passion) that hoodlums aren’t out raping kids, they’re just trying to make a boatload of money. Of course, if you’re looking for deep lyrics, you’re in the wrong place. Trap Muzik is not only an awesome album, but is completely representative of the newer, – and in the opinions of some – better south.
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Although he now has a terrible single choice and just isn’t as good, it’s always fun to reach back into the archives and pull out this one. Quite possibly the inventor of watered-down trap rap, T.I had the ability – in the beginnings of his career – to combine catchy music with (both figuratively and literally) dope lyrics. Review Summary: “Tote gats/Dro smoke that/Now I’m high/Seats way back in the Maybach I ride/Through da streets of da west side/I slap five/And throw dubs/Show love, nigga hate or be wise.”